Estímulos Musicales....

En passant par la Lorraine

La loy d'amours est tant inique et dure

Row, row, row your boat

The dark is my delight

When Daphne from fair Phoebus did fly

When Daphne from fair Phoebus did fly (a fourth down)

When Daphne from fair Phoebus did fly (a step down)

Arban, (1825 – 1889)

Arbeau, Thoinet ( – )

Arcadelt, Jacques (1504 – 1568)

Il bianco e dolce cigno

Arcadelt, Jacques

Je ne suis pas si sot

Arcadelt, Jacques

Margot labourez les vignes

Quand'io penso al martir

Arcadelt, Jacques

Die bruenlin die da fliessen

Arthopius, Balthazar ( – )

Arthopius, Balthazar

Bona via faccia barca (Venetiana)

Azzaiolo, Filippo ( – fl. 1557 - 1569)

Azzaiolo, Filippo

Bach, Johann Sebastian (1685 – 1750)

Erbarme Dich

Bach, Johann Sebastian

Baldwin, John ( – 1615)

Coockow as I me walked

Baldwin, John

Let us drink and be merry

Berg, George ( – 1771)

Bevin, Elway (1554 – 1638)

Bigaglia, Diogenio (1670 – c. 1745)

Sonate in A minor, transposed to B minor

Bigaglia, Diogenio

Africa (transposed to C major)

Billings, William (1746 – 1800)

Lamentation over Boston

Billings, William

I. Lord in thy rage rebuke me not (Psalm 6)

Bottegari, Cosimo (1554 – 1620)

Byrd, William (1540 – 1623)

Come to me grief forever

Lullaby my sweet little baby

Sing ye to the lord (original key)

The greedy hawk (transposed)

This sweet and merry month of May,

Campian, Thomas (1567 – 1620)

Fair, if you expect admiring

Fair, if you expect admiring (fifth down)

I care not for these Ladies

Never weather-beaten saile

Never weather-beaten Saile (F)

Now winter nights enlarge,

The peacefull Westerne winde

Though your strangeness frets my heart

Though your strangeness frets my heart (down a third)

V. My love hath vowd hee will forsake mee

When the god of merry Love

When the God of Merry Love (third down)

XXIV. Faine would I wed a faire yong man

Ich stuend an einem Morgen

Cavendish, Michael (c. 1565 – 1628)

The Triumphs of Oriana

Certon, Pierre (c. 1510 – 1572)

Clemens non papa, Jacob (c. 1510 to 1515 – 1555 or 1556)

Clemens non papa, Jacob

Petit Jacquet (transposed)

Courtois, Jean (active 1530 - 1545 – )

Courtois, Jean

Alix avoit aux dens la malerage

Crequillon, Thomas (c. 1505 – c. 1557)

Crequillon, Thomas

Alix avoit aux dens la malerage (transposed)

Crequillon, Thomas

da Rore, Cipriano (1515 – 1565)

Ancor che col partire

Ancor che col partire with divisions by Bassano, Dalla Cassa, and Spadi

Così sol d’una chiara fonte viva

Hor che'l ciel e la terra

Hor che'l ciel e la terra

Mia benigna fortuna (D minor)

Ne l'aria in questi di fatt'ho un si forte Castel,

Ne l'aria in questi di fatt'ho un si forte Castel, (G major)

Signor mio caro (1550)

de Antiquis, Giovanni (16th century – after 1608)

10. Fantasia secunda.

de Antiquis, Giovanni

16v. Fantasia 18.

de Antiquis, Giovanni

de l'Estocart, Paschal (c. 1540 – c. 1584)

Psaume CXXXVII

de l'Estocart, Paschal

4v. Per illud ave prolatum,

de Lisle, C. Rouget ( – )

de Martino, Oratio ( – )

Fantasia Nona.

de Martino, Oratio

des Prez, Josquin (c.1450 to 1455 – 1521)

En l'ombre d'un buissonet

Fortuna dun gran tempo

des Prez, Josquin

La Deploration de la morte de Johannes Ockeghem

des Prez, Josquin

La Deploration de la morte de Johannes Ockeghem (Original key)

Tu solus qui facis mirabilia

deWilde, ( – )

Dowland, John (1563 – 1626)

A shepheard in a shade

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

All ye, whom love or fortune hath betraid;

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

Awake, sweet love, thou art returnd:

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

Away with these selfe loving lads

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

By a fountaine where I lay,

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

Can she excuse my wrongs

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

Captaine Digorie Piper his Galiard

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

Cease these false sports,

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

Cleare or cloudie sweet as Aprill showring,

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

Come away, come sweet love

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

Come heavy sleepe the image of true death;

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

Come yee heavy states of night,

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

Daphne was not so chaste as she was changing,

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

Dye not beefore thy day,

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

Faction that ever dwells

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

Farewell unkind farewell

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

Fine knacks for ladies,

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

Flow not so fast yee fountaines,

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

His golden locks time hath to silver turnde

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

Humor say what mak'st thou heere

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

If floods of teares could cleanse my follies past,

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

If that a sinner's sighes be Angel's foode

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

If that a sinner's sighes be Angel's foode (Down a third)

In darkness let me dwell

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

In this trembling shadow

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

It was a time when silly Bees could speake,

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

Lachrimae Antiquae Novae

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

Lend your eares to my sorrow

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

Love those beames that breede,

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

Love those beames that breede,

Love those beames that breede,

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

M Giles Hoby his Galiard.

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

M. Bucton his Galiard.

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

M. George Whitehead his Almand.

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

M. Henry Noell his Galiard.

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

M. John Langtons Pavan

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

M. Nicholas Gryffith his Galiard.

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

M. Thomas Collier his Galiard with two trebles.

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

Me me and none but me,

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

Mistress Nichols Almand

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

My heart and tongue were twinnes,

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

My heart and tongue were twinnes,

My thoughts are wingd with hopes

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

Now cease my wandring eies,

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

Now, O now, I needs must part,

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

O sweet woods the delight of solitarinesse

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

Oh what hath overwrought

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

Praise blindness eies,

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

Rest a while, you cruell cares

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

Say love if ever thou didst find,

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

Semper Dowland, semper dolens

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

Shall I strive with wordes to move,

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

Sir Henry Umptons Funerall

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

Sir John Souch his Galiard

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

Sleep, waiward thoughts

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

Stay time a while thy flying,

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

Tell me true Love where shall I seeke thy being,

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

The Earle of Essex Galiard.

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

The King of Denmarks Galiard.

Lachrimae, or Seaven Teares figured in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or violons, in five parts

The lowest trees have tops,

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

Thinkst thou then by thy fayning

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

Time stands still with gazing on her face,

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

To aske for all thy love,

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

Unquiet thoughts, your civil slaughter stint

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

Weepe you no more sad fountaines,

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

Were every thought an eye,

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

Were every thought an eye,

What if I never speede,

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

What poore Astronomers are they,

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

When David's life by Saul was often sought,

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

When others sings Venite exaltemus,

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

When Phoebus first did Daphne love,

The Third and Last Booke of Songs or Aires. Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto

When the poore Criple by the poole did lye,

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

Where Sinne sore wounding,

A Pilgrimes Solace. Wherein is contained Musicall Harmonie of 3. 4. and 5. parts, to be sung and plaid with the Lute and Viols

Where Sinne sore wounding,

Where Sinne sore wounding,

White as Lillies was hir face,

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

Whoever thinks or hopes of love for love

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

Wilt thou unkind thus reave me of my heart,

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

Wofull hart with griefe oppressed,

The Second Booke of Songs or Ayres of 2. 4. and 5. parts, with Tableture for the Lute or Orpherian, with the Violl de Gamba

Would my conceit, that first enforst my woe,

The First Booke of Songs or ayres of foure parts, with Tableture for the Lute

Dunstable, John (c, 1390 – 1453)

Durante, Francesco (1684 – 1755)

Danza, danza, fanciulla gentile

Durante, Francesco

Hence Stars, to dim of light

East, Michael (c. 1580 – 1648)

East, Michael

Confusion to the pow'r of Cupid

Eccles, John (1661 – 1735)

Eccles, John

Facciola, Fabritio ( – )

Fantasia Octava.

Facciola, Fabritio

Farmer, John (1570 – 1605)

Feuillet, ( – )

Receuil de Contredances

Feuillet

A Division on a Ground by Mr. Finger

Finger, Godfrey (c. 1670 – 1730)

Finger, Godfrey

Canzon II a 6 (transposed)

Finger, Godfrey (ca. 1660 – 1730)

Gabrielli, Giovanni (c. 1564-1567 – 1612)

Gabrielli, Giovanni

Basse Dance: Au prés de vous

Canzon septimi toni a 8

Gervaise, Claude (fl. 1550 – )

Dix Bransles de Champaigne

Huict Bransles de Poictou

Gervaise, Claude

Gibbons, Orlando (1583 – 1625)

IX. Daintie fine Bird

The Silver Swan (down a step)

IX. Daintie fine Bird

The Silver Swan (down a third)

The Silver Swan, a round in three parts

Gibbons, Edward (1568 – c. 1650)

What strikes the clocke?

Gibbons, Edward

XII. Now each flowry bancke of May

Gibbons, Orlando (1583 – 1625)

XII. Now each flowry bancke of May

XII. Now each flowry bancke of May (down a step)

XIIII. What is our life?

XIIII. What is our life?

Benedictus, de la misa Dormendo un giorno

Guerrero, Francesco (1528 – 1599)

Es menester que se acierte

Guerrero, Francesco

Pange lingua gloriosi (I)

Guerrero, Francesco

Pange lingua gloriosi (II)

Guidiccioni, Giovanni (1480 – 1541)

Il Bianco e dolce Cigno

Guidiccioni, Giovanni

Give me the sweet delights of love

Harrington, Henry (1727 – 1816)

Harrington, Henry

Pasttime with good company

Hayne van Ghizeghem, (c. 1445 – 1495 or later)

Henry VIII, (1491 – 1547)

Henry VIII

2. The teares of the Muses.

Hilton, John (1599 – 1657)

Holborne, Anthony ( – 1602)

26. Galliard: Hermoza

27. The image of Melancholly.

50. [Galliard] Sic semper soleo.

53. [Pavan:] Last will and testament

58. The fruit of love.

6. The New-yeeres gift.

60. The Honie-Suckle.

62. The Widowes myte.

63. Galliard: The Fairie-round

64. Galliard: As it fell on a holie Eve

Innsbruck, ich muss dich lassen

65. Heigh ho holiday.

Isaac, Heinrich (c. 1450 – 1517)

Isaac, Heinrich

Innsbruck, ich muss dich lassen (second setting)

Isaac, Heinrich

Celia, learning upon the spinet

Isum, John (c. 1680 – 1726)

Isum, John

Martin menait son pourceau au marché

Janequin, Clément (c. 1785 – 1558)

Janequin, Clément

Care, thou canker of our joys

Jenkins, John (1592 – 1678)

Johnson, Robert (c. 1580 – c. 1634)

Full fathom five thy father lies

Johnson, Robert

5r. Expectatio justorum laetitia,

Lapicida, Erasmus (1440 – 1547)

Lassus, Roland (1532 – 1594)

4r. Oculus non vidit,

6r. Justi tulerunt spolia impiorum

6v. Qui vult venire post me

8r. Fulgebunt justi sicut lilium

Margot labourez les vignes

Le Heurteur, Guillaume ( – fl. 1530 - 45)

Amour partes

Flucht

Grace et vertu, bonté, beaulté, noblesse

Quant je boy du vin claret tout tourne

Troys jeunes bourgeoises

Revoici venir du printemps

Le Jeune, Claude (c.1528 – 1600)

Le Jeune, Claude

Leach, James (c. 1761 – 1798)

Loeillet, Jean Baptiste (1688 – 1750)

Sonata II, Parte Prima

Loeillet, Jean Baptiste

Lupachino, Bernhardino ( – fl. 1550)

11. Fantasia tertia.

Fantasia

Fantasia 12.

Sopra la battaglia

Sopra la battaglia

Sopra la battaglia

Voici le vert et beau Mai

Marcello, Benedetto (1686 – 1739)

Mauduit, Jacques (1557 – 1627)

Mauduit, Jacques

Monteverdi, Claudio (1564 – 1643)

Sfogava con le stelle

Monteverdi, Claudio

Si ch'io vorrei morire

Monteverdi, Claudio

April is in my Mistress's face

Morley, Thomas (1557 or 1558 – 1602)

Arise, awake, you silly shepherds sleeping

Arise, get up my dear (transposed)

Canzonets or little short songs to three voyces, low voice

Arise, get up my deere,

Blow, Shepherds, blow

Crewell you pull away to soone

Fantasie: Il Doloroso

Fantasie: Il Lamento?

Fantasie: La Rondinella

Fantasie: La Sampogna?

Flora wilt thou torment mee

God morrow, Fayre Ladies, (down a fourth)

Canzonets or little short songs to three voyces, low voice

Good Morrow, Fair Ladies of the May

Hard by a crystal fountain

I goe before my darling

I should for griefe and anguish

I. See, Myne Owne Sweet Jewell (transposed)

II. Joy, Joy doth so arise (transposed)

III. Cruel, you put away too soone (transposed)

IIII. Ladie those eyes (transposed)

In nets of golden wyers

It was a lover and his lass

It was a lover and his lass, (down a fifth)

Joy, joy doth so arise

Lady if I through griefe

Lo heere another love

Love learns by laughing

Love learns by laughing (transposed)

Canzonets or little short songs to three voyces, low voice

Miraculous loves wounding

Now is the month of Maying

Ballets to Five Voyces

O thou that art so cruell

Phillis, I fain would die now

Say deere, will you not have mee?

See, see, myne own sweet jewel

Sing we and chant it,

Springtime mantleth every bough

V. Hould out my hart, (transposed)

VI. God morrow, Fayre Ladies, (down a fourth)

VII. Whither away so fast, (transposed)

VIII. Blow, Shepherds, blow (transposed)

What ayles my darling?

When loe by break of morning

Where art thou wanton?

Whither away so fast,

XI. O flye not (transposed)

XII. Thirsis (transposed)

XIII. Now must I dye, (transposed)

XIX. Say Deere, will you not have mee? (transposed)

XIX. Say, deere, will you not have me, (transposed)

XV. Cease mine eyes, (transposed)

XVI. Doe you not know, (transposed)

XVII. Where art thou, wanton, (transposed)

XVIII. What ayles my darling, (transposed)

Qui ne regrettoit le gentil Févin

Mouton, Jean (1459 – 1522)

Mouton, Jean

Lightly she whipped o're the dales

Mundy, John (1550/54 – 1630)

Mundy, John

Lightly she whipped o're the dales (transposed)

The Triumphs of Oriana

Ninot le petit, ( – )

Nola, Gian Domenico da (ca. 1510-20 – 1592)

Cingari simo venit'a giocare

Nola, Gian Domenico da

Madonn'io no lo so perchè lo fai

Nola, Gian Domenico da

O Dio se vede chiaro ch'io per te moro

Nola, Gian Domenico da

Harmonice Musices Odhecaton A

Obrecht, Jacob (1457/1458 – 150 5)

Harmonice Musices Odhecaton A

Ortiz, Diego (1510 – 1570)

Ricercada Segunda sobre [O felici occhi miei]

Palestrina, ( – )

Parabosco, Girolamo (1520/4 – 1557)

Parry, Joseph ( – )

Watchman, tell us of the night

Parry, Joseph

Harmonice Musices Odhecaton A

Petrucci, Ottaviano (1466 – 1539)

Pevernage, Andre (1542-3 – 1591)

37r. Ilz ont en mesme temps

37v. Deux que le trait d'Amour touche bien vivement

Phalesius, Petrus (c. 1510 – c. 1575)

38. C'est amour qui si rare en la terre se treuve,\\Tierce partie.

Phalesius, Petrus

Pilkington, Frances (c. 1565 – 1638)

Praetorius, Michael (1571 – 1621)

Bransle de la torche

Praetorius, Michael

En! Natus est Emanuel

Praetorius, Michael

Psallite, unigenito (Singt und klingt)

Praetorius, Michael

A Rebus upon Mr. Anthony Hall, who keeps the Mermaid Tavern in Oxford, and plays his part very well on the violin

Purcell, Henry (1659 – 1695)

Fie, nay, prithee, John

He that drinks is immortal

Purcell, Henry

Here's a health, pray let it pass about,

Purcell, Henry

I gave her cakes and I gave her ale

The glass was just timed

Pygot, Richard ( – 1549)

Ravenscroft, Thomas (c. 1590 – 1635)

As I me walked in a May morning

He that will an alehouse keep

Hey down//Woods so wild//grey nag

Hey down//Woods so wild//grey nag (down a third)

Hey Ho, nobody at home (3 parts)

Hey Ho, nobody at home (5 parts)

Hey hoe, to the greene wood, A Round of 3 Voices

Now God be with old Simeon

Oken Leaves, a Round of 3 Voices

O My fearefull dreames

There were three Ravens sat on a tree,

Three Blinde Mice, A Round of 3 Voices

We be Souldiers three,

We be three poor Mariners,

Willy prethe goe to bed,

Reading, John ( – )

In Praise of White Wine

Reading, John

Hor che'l Cielo e la Terra

Ruffo, Vincenzo (1508 – 1587)

La Gamba in Basso & Soprano

Martin Minoit son Portiau au Marché

Quand'io penso al martire

Sandrin, Pierre (c. 1490 – af ter 1561)

Una Canzon Francese doulce memoire

Senfl, Ludwig ( – )

Es wollt ein Fraw zum Weine gahn

Fortuna - Ich stuend an einem Morgen

Senfl, Ludwig

Fortuna ad voces musicales

Sermisy, Claudin de (c. 1490 – 1562)

[23] Si mon malheur my continue

[3] C'est une dure despartie (original key)

[3] C'est une dure despartie (transposed up a fifth)

Three part chansons

Au pre de vous secretement demeure (three parts)

Changeons Propos (Fourth Down)

Changeons propos, c'est trop chante d'amours (Original key)

Je ne mange point de porc

Martin menait son pourceau au marché

Jouissance vous donnerai

Sur le Pont d'Avignon

Tant que vivrai (C major)

Tant que vivrai (F major)

Tant que vivrai (G major)

Vignon, vignon, vignon, vignette (original key)

Vignon, vignon, vignon, vignette (transposed)

Vive la serpe (a fourth up)

O Dio si vede chiaro cha per te moro

Silvestrino, Francesco (fl. 1545 – )

Silvestrino, Francesco

Slaves are they that heap up mountains

Smith, John Stafford (1750 – 1826)

Smith, John Stafford

Laura's band, a round in 4 parts

To Anacreon in Heaven

Stefanov (the Fiddler), Ishmael (ca. 1955 – )

Stefanov (the Fiddler), Ishmael

39. Pavane III: Mille ducas

Susato, Tielman (c. 1510/1515 – after 1570)

Susato, Tielman

52. Galliard X: Mille ducas

Bergeret sans roch, Reprise 1

Bergeret sans roch, Reprise II

Les miens aussi brief

Reprise - Cest une dure despartie

Ronde VIII: Mille ducas en vostre bource

Susato, Tielman

Tasso, Giovanni Maria ( – )

Fantasia

Tasso, Giovanni Maria

Fantasia Quinta.

Tasso, Giovanni Maria

Cantabile from the C major Sonata

Telemann, Georg Phillip (1681 – 1767)

Telemann, Georg Phillip

[1] Jennette, Marion se vont jouer

Unknown, ( – )

Amy souffres que je vous aime (two parts)

Amy, souffrez que je vous aime (three parts)

Carmen -- Paulus de Broda

Die welt, die hat einen tummen sin

Du Lenze Gut (down a step)

Du Lenze Gut (up a fifth)

Hastu mir die laute bracht -- O rosa bella

Hastu mir die laute bracht -- O rosa bella (transposed a fourth up)

In feuers hitz -- O rosa bella

In feuers hitz -- O rosa bella (transposed a fourth up)

Wer da sorget -- O rosa bella

Wer da sorget -- O rosa bella (transposed a fourth up)

Courant, of Harte diefje vaerom zoo stil

van Eyck, Jacob (c. 1589-90 – 1657)

En fin l'Amour (beamed score)

van Eyck, Jacob

En fin l'Amour (score)

van Eyck, Jacob

Vecchi, Orazio (ca. 1549 – 1611)

Il bianco e dolce cigno

Vecchi, Orazio

Il bianco e dolce cigno

Vecchi, Orazio

39. Lungi da voi mia vita

Vendonck, Cornelio ( – )

40r. Dissi a l'amata mia lucida stella

Verdelot, Philippe (c. 1480 – c. 1530)

Weelkes, Thomas (1576 – 1623)

As deadly serpents lurking

As Vesta was from Latmos Hill descending

As Vesta was from Latmos Hill descending (transposed)

The Triumphs of Oriana

Ay me alas, (down a fourth)

Come come lets begin

Come, Sirrah Jack, Ho (down a fourth)

Come, Sirrah Jack, ho!

Death hath deprived me of my dearest friend, a remembrance of my friend M. Thomas Morley

Four arme, two lips, one wreathing (down a fourth)

Four arms, two lips, one wreathing

Hark, all ye lovely Saints above

Hark, all ye lovely Saints above (down a step)

Jockey thine horne pipes dull

Jockey, thine horn pipes dull

O now weep, now sing (down a step)

Some men desire spouses

Some men desire spouses

Strike it up Tabor (down a third)

The Nightingale, the organ of delight

The Nightingale, the organ of delight (transposed)

Tomorrow is the marriage day

Tomorrow is the marriage day

Upon a hill (transposed)

Flora gave me fairest flowers

White, Matthew ( – fl. 1667)

Wilbye, John (1574 – 1638)

Adieu, sweet Amaryllis

Flora gave me fairest flowers (G)

Lady, when I behold, (transposed)

Sweet honey-sucking bees

Thus saith my Cloris bright

Ye that do live in pleasures plenty

Ye that do live in pleasures plenty (B♭)

Ye that do live in pleasures plenty (G)

Cingari simo venit'a giocare

Willaert, Adrian (c. 1490 – 1562)

Willaert, Adrian

Faulte d'argent, c'est douleur non pareille

Willaert, Adrian

Madonn'io non lo so perchè lo fai

Wise, Michael (1648 – 1687)

Judith and Holifernes

Wise, Michael